官方真题Official3托福综合写作阅读原文+听力原文+满分范文

官方真题Official3托福综合写作满分范文1：

integrated writing sample answer (满分范文) The lecture revises the idea presented in the text, that Rembrandt was not the artist who painted the famous painting "Portrait of an Elderly Woman in a White Bonnet". The inconsistency between the white cap, which identifies the woman as a servant, and the expensive fur collar she wears dissolves as the Professor explains that the fur collar was apparently painted over the original painting to increase its worth by displaying an aristocratic woman. In addition, the assumption that light and shadow in the painting do not fit together is refuted by the fact that in the original painting, the woman worn a light cloth that illuminated her face. Thus the presentation of light and shadow was indeed very realistic and accurate, as it is characteristic of Rembrandt’s paintings. Finally, the mystery of the panel consisting of patches glued together is also solved in the lecture. Actually, the wood panel was later enlarged to make it more grand and valuable, but the original painting was painted on a single panel, as Rembrandt would have done it. Furthermore, the wood is of the same tree used in other Rembrandt paintings, like the "Self-Portrait with a Hat". All this information points to Rembrandt as the painter of the controversial painting.

官方真题Official3托福综合写作满分范文2：

In terms of whether Rembrandt painted Portrait of an Elderly Woman in a White Bonnet, the reading and listening are contradictory to each other. First, the writer makes the point that the fur collar the woman is wearing is not consistent with her identity. However, the professor demonstrates a different idea that the fur collar was not part of the original painting and it was painted a hundred years after the painting was made. Second, contrary to the belief in the reading passage that light and shadow in the painting are inconsistent, the lecturer says that the woman was actually wearing a light colored cloth in the original painting, which reflects the light to illuminate the woman’s face. Finally, the author states that Rembrandt should not have painted on a panel made of several pieces of wood. In contrast, the professor refutes that the original painting was enlarged to be more grand and valuable. In fact, it was painted on a single piece of wood from the same tree with another painting by Rembrandt. Sample2 The lecture revises the idea presented in the text, that Rembrandt was not the artist who painted the famous painting "Portrait of an Elderly Woman in a White Bonnet". The inconsistency between the white cap, which identifies the woman as a servant, and the expensive fur collar she wears dissolves as the Professor explains that the fur collar was apparently painted over the original painting to increase its worth by displaying an aristocratic woman. In addition, the assumption that light and shadow in the painting do not fit together is refuted by the fact that in the original painting, the woman wears a light cloth that illuminated her face. Thus the presentation of light and shadow was indeed very realistic and accurate, as it is characteristic of Rembrandt’s paintings. Finally, the mystery of the panel consisting of patches glued together is also solved in the lecture. Actually, the wood panel was later enlarged to make it more grand and valuable, but the original painting was painted on a single panel, as Rembrandt would have done it. Furthermore, the wood is of the same tree used in other Rembrandt paintings, like the "Self-Portrait with a Hat". All this information points to Rembrandt as the painter of the controversial painting.

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